Brown coal 8.5 GW dominates the left quarter as massive hyperbolic cooling towers with thick white steam plumes rising into blackness; wind onshore 8.5 GW spans the entire right third as dozens of three-blade turbines on lattice towers, rotors slowly turning in moderate wind; natural gas 7.0 GW fills the centre-left as a cluster of compact CCGT power blocks with tall single exhaust stacks emitting thin grey plumes; biomass 4.1 GW appears centre-right as a modest industrial facility with a wood-chip storage dome and a single smokestack with faint warm exhaust; hard coal 3.8 GW sits adjacent to the brown coal as a smaller coal-fired plant with a rectangular boiler house and conveyor belts; wind offshore 1.6 GW is visible in the far-right distance as a faint row of turbines on the horizon over dark water; hydro 1.4 GW appears as a small illuminated dam structure in the middle distance with water cascading. The scene is set at 03:00 at night — completely dark sky, deep navy-black, no twilight, no moon visible, heavy 100% overcast obscuring all stars. The only illumination comes from sodium-yellow and white industrial lighting on the power plants, casting warm pools of orange light on wet ground and steel structures. The atmosphere is heavy and oppressive, thick low clouds lit faintly from below by industrial glow, conveying the tension of high electricity prices. Spring vegetation — fresh green grass and budding deciduous trees — is barely visible in the artificial light, damp with overnight moisture at 9°C. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts, atmospheric depth receding into industrial haze — yet with meticulous engineering accuracy: correctly shaped turbine nacelles, aluminium-clad CCGT housings, parabolic cooling tower geometries with visible concrete ribbing. No solar panels anywhere. No text, no labels.