Brown coal 8.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkness; wind onshore 8.6 GW and wind offshore 1.9 GW together span the right third as dozens of three-blade turbines on lattice towers stretching across rolling hills and a distant dark coastline, rotors turning steadily; natural gas 7.1 GW fills the centre-left as compact CCGT power plants with tall single exhaust stacks emitting thin heat shimmer and faint orange flare light; hard coal 3.8 GW appears as a smaller coal-fired station with a single square cooling tower and conveyor belt infrastructure beside the lignite complex; biomass 4.2 GW is rendered as several medium-scale industrial plants with wood-chip storage domes and modest chimneys glowing warmly in the mid-ground; hydro 1.5 GW appears as a concrete dam spillway with dark water cascading, visible in the far right background. Time is 2 AM — the sky is completely black with heavy 100% overcast, no stars, no moon, no twilight glow whatsoever. All structures are lit only by sodium-yellow and cool-white industrial lighting, security floodlights, and red aviation warning lights atop turbine nacelles and smokestacks. The temperature is a mild 9°C spring night; fresh green vegetation is faintly visible where artificial light spills onto grass and young leaves. The atmosphere feels heavy and oppressive, with low dense clouds pressing down, reflecting the amber industrial glow in an uncomfortable haze — evoking the high electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich dark colour palette, visible confident brushwork, dramatic chiaroscuro between deep shadow and warm industrial illumination, atmospheric depth created by layered fog and steam, and meticulous engineering accuracy in every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.