Brown coal 8.4 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick pale steam plumes into the night sky; natural gas 7.2 GW fills the centre-left as a row of compact CCGT plants with tall single exhaust stacks venting thin white plumes; wind onshore 8.9 GW spans the right third as dozens of three-blade turbines on lattice towers arrayed along a dark ridge, rotors turning slowly in light wind; wind offshore 2.3 GW appears as a distant cluster of turbines barely visible on the far-right horizon with tiny red aviation lights; hard coal 3.8 GW sits behind the gas plant as a coal-fired station with a single large chimney and conveyor belt silhouette; biomass 4.2 GW is rendered as a mid-sized wood-chip power station with a squat smokestack and glowing feed hopper at centre-right; hydro 1.5 GW appears as a small concrete dam with spillway in the lower-right foreground. The time is 1:00 AM — the sky is completely black with total 100% cloud cover, no stars, no moon, no twilight glow whatsoever, only a deep oppressive charcoal-black canopy pressing down. All structures are lit by sodium-orange industrial lighting, with furnace glow casting amber reflections on steam clouds. The cooling tower plumes catch the orange sodium light from below, creating ominous billowing columns. The atmosphere is heavy, dense, and brooding, reflecting the high electricity price. Spring vegetation — fresh green grass, budding deciduous trees — is barely discernible in the artificial light. Temperature is cool at 10°C, suggesting faint mist clinging to the ground near the river and dam. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of burnt umber, lamp black, cadmium orange, and Prussian blue — with visible impasto brushwork, atmospheric depth through layered haze, and meticulous engineering accuracy on every turbine nacelle, cooling tower shell, and exhaust stack. The mood recalls Caspar David Friedrich's sublime darkness transposed onto an industrial nocturne. No text, no labels.