Brown coal 8.4 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes into the night sky; natural gas 6.9 GW occupies the left-centre as a compact CCGT plant with tall exhaust stacks lit by orange sodium lamps and visible heat shimmer; wind onshore 8.6 GW spans the centre-right as a long row of tall three-blade turbines on lattice towers, their red aviation warning lights blinking against the black sky, blades turning moderately in 12 km/h wind; wind offshore 3.2 GW appears in the far right distance as a faint line of turbines over a dark estuary, nacelle lights barely visible; biomass 4.6 GW is rendered as a mid-ground industrial facility with wood-chip silos and a single smokestack emitting pale grey exhaust; hard coal 3.9 GW sits behind the biomass plant as a traditional coal station with rectangular cooling towers and conveyor belts under floodlights; hydro 1.5 GW appears as a small illuminated dam with water cascading into a reservoir at the far left edge. The sky is completely black and overcast at 21:00 in May — no stars, no twilight glow, no moon — total cloud cover at 100%, creating a heavy oppressive ceiling reflecting a faint industrial amber glow from below. The atmosphere feels dense and weighty, conveying the high electricity price. Spring vegetation — fresh green grass and budding deciduous trees — is barely visible under artificial light. The foreground shows damp ground from the overcast conditions, puddles reflecting sodium-yellow light. No solar panels anywhere. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich, dark palette of deep navy, amber, and ochre; visible impasto brushwork; dramatic chiaroscuro between industrial floodlighting and surrounding darkness; atmospheric depth with haze and steam; meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.