Brown coal 8.3 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into black sky, lit from below by orange sodium lamps at the plant base; wind onshore 8.4 GW and wind offshore 3.4 GW together span the right third as rows of tall three-blade turbines on lattice towers, their red aircraft-warning lights blinking against the dark, onshore turbines on rolling spring-green hills and offshore turbines faintly visible on a distant dark sea horizon; natural gas 6.8 GW fills the centre-right as compact CCGT units with slender single exhaust stacks venting thin heat shimmer, their metallic housings reflecting industrial floodlights; hard coal 3.9 GW appears as a smaller conventional power station with a single large smokestack and conveyor belts, positioned between the lignite towers and the gas units; biomass 4.6 GW is rendered as a mid-sized wood-chip-fed CHP plant with a modest cylindrical silo and low exhaust, warmly lit from within; hydro 1.5 GW appears as a small concrete dam with spillway in the far background valley, illuminated by a few floodlights. The sky is completely dark, deep navy-black, 100% overcast with no stars or moon visible, an oppressive heavy cloud ceiling pressing down to convey the 156.9 EUR/MWh price tension. Temperature 10°C: spring vegetation is fresh green but muted in the darkness, damp grass glistening under artificial light. Moderate wind at 12.7 km/h subtly bends grass and stirs the steam plumes sideways. The entire scene is lit only by artificial sources — sodium-orange streetlights along access roads, white industrial floodlights on plant structures, red blinking turbine beacons, and warm interior glows from control buildings. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of deep blues, blacks, warm oranges and industrial greys, visible expressive brushwork, atmospheric depth with layers of steam and cloud merging, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, CCGT exhaust stack, and conveyor mechanism. The mood is solemn and industrially sublime, a nocturnal Caspar David Friedrich reimagined for the fossil-and-wind age. No text, no labels.