Wind onshore 13.8 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles stretching across rolling dark hills, rotors turning steadily in moderate wind; brown coal 8.6 GW occupies the left quarter as a massive lignite power station with four hyperbolic concrete cooling towers emitting thick white-grey steam plumes lit from below by sodium-orange industrial lighting; natural gas 5.9 GW appears centre-left as a compact CCGT facility with tall slender exhaust stacks and visible heat shimmer from flue gases, lit by harsh white floodlights; hard coal 3.8 GW sits behind the gas plant as a dark angular boiler house with a single large chimney trailing a thin plume; biomass 4.1 GW is rendered as a mid-ground industrial facility with a domed digester and a squat stack emitting faint vapour; wind offshore 3.0 GW appears as a distant cluster of turbines on the far-right horizon above a dark sea; hydro 1.6 GW is a small dam structure with spillway visible in a valley at far left. The time is 3 AM — the sky is completely black to deep navy, no twilight, no moon visible, total 100% cloud cover creating an opaque dark canopy with no stars. All illumination comes from artificial sources: sodium streetlights cast orange pools along a road in the foreground, industrial floodlights pick out the power stations in cold white, red aviation warning lights blink atop turbine nacelles and chimney tips. Spring vegetation — fresh green grass and leafy deciduous trees — is barely discernible in the ambient glow, temperature mild at 12.6°C suggesting damp air with faint ground mist curling between the turbine bases. The atmosphere feels heavy, oppressive, and enclosed, reflecting a high electricity price — the cloud ceiling presses low, the industrial steam merges with the overcast, and the air has a dense humid quality. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — Caspar David Friedrich's atmospheric mystery combined with industrial sublime — rich dark palette of navy, charcoal, ochre, and burnt sienna, visible impasto brushwork, dramatic chiaroscuro from artificial light sources against absolute darkness, atmospheric depth with mist and steam layers receding into the background. Meticulous engineering accuracy on all infrastructure. No text, no labels.