Wind onshore 11.6 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling hills into the far distance; brown coal 8.5 GW occupies the left quarter as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lighting; natural gas 6.0 GW appears centre-left as a compact CCGT plant with twin tall exhaust stacks and a smaller vapour trail; hard coal 3.9 GW sits behind the gas plant as a darker, older station with a single large chimney and coal conveyors; biomass 4.3 GW is rendered as a wood-fired CHP facility with a modest rectangular stack and warm amber glow from furnace windows, positioned centre-right; hydro 1.5 GW appears as a small concrete dam with spillway gleaming faintly in the lower right foreground; wind offshore 2.8 GW is suggested by a distant cluster of turbines on the far-right horizon above a barely visible dark sea line. TIME: midnight, completely dark sky — deep navy-black, no twilight, no sky glow, zero solar panels visible, no moon. Heavy 100 percent overcast blocks all stars. The atmosphere is oppressive and dense, haze hanging low, reflecting the high electricity price. Sodium streetlights cast pools of warm orange along an access road; the cooling tower steam is underlit orange-yellow, billowing heavily upward into the black cloud deck. Spring vegetation — fresh green grass and leafy deciduous trees — is barely discernible in the artificial light, consistent with 13.8°C in early May. Light wind: turbine blades turn slowly. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich chiaroscuro, visible impasto brushwork, atmospheric depth receding into industrial haze — but with meticulous engineering accuracy on every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.