Brown coal 8.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, lit from below by orange sodium lamps; natural gas 6.2 GW fills the centre-left as two compact CCGT plant blocks with tall single exhaust stacks venting translucent heat haze, illuminated by industrial floodlights; hard coal 3.9 GW appears centre-right as a squat power station with conveyor belts and a single large smokestack trailing grey emissions; wind onshore 10.2 GW spans the right third as a long ridge of three-blade turbines on lattice towers, their red aviation warning lights blinking against the darkness, rotors turning at moderate speed; wind offshore 2.4 GW is suggested in the far-right distance as faint clusters of red blinking lights over an invisible sea horizon; biomass 4.5 GW appears as a mid-ground timber-clad industrial facility with a modest stack emitting pale vapour, warmly lit from within; hydro 1.5 GW is a concrete dam structure in the lower right foreground with water cascading under white floodlights. The sky is completely dark, deep navy-black, 100% cloud cover obscuring all stars, no moon visible, no twilight or sky glow whatsoever. The atmosphere feels heavy and oppressive, reflecting the high electricity price — low clouds press down on the scene. Spring vegetation at 13°C: fresh green grass and leafing deciduous trees visible only where caught by artificial light. The overall mood is somber industrial nocturne. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette with amber and ochre industrial highlights, visible impasto brushwork, atmospheric depth with haze and steam, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. No text, no labels.