Brown coal 8.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into darkness; natural gas 6.2 GW fills the centre-left as compact CCGT plants with tall single exhaust stacks emitting heat shimmer; hard coal 3.8 GW appears centre-right as a gritty power station with conveyor belts and a blocky boiler house; biomass 4.1 GW is rendered as a mid-ground facility with rounded storage silos and a modest stack with faintly lit amber exhaust; onshore wind 3.3 GW occupies the right portion as a sparse row of three-blade turbines on lattice towers, their rotors nearly motionless in the still air; hydro 1.4 GW appears at the far right as a concrete dam spillway with dark water glinting under artificial floodlights. Time is 05:00 Berlin — deep pre-dawn: the sky is dark blue-grey with the faintest hint of pale light creeping along the eastern horizon, no direct sunlight, no visible sun disc. No solar panels anywhere. The landscape is flat central German terrain with low spring-green vegetation barely visible in the dimness. Cloud cover is total — a thick unbroken overcast ceiling pressing down oppressively, reinforcing a heavy atmospheric mood consistent with a high electricity price. Sodium-orange streetlights and industrial floodlights cast pools of warm light on wet asphalt and steel structures. Steam from the cooling towers merges with the low cloud base. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich, deep colour palette of indigo, slate grey, warm amber, and coal black, with visible confident brushwork, atmospheric sfumato in the steam and clouds, and meticulous engineering accuracy on every turbine nacelle, cooling tower hyperbolic curve, and gas-stack flue. No text, no labels.