Brown coal 8.5 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lighting; natural gas 6.1 GW occupies the centre-left as two compact CCGT units with tall single exhaust stacks and smaller vapor trails; biomass 4.1 GW appears centre-right as a cluster of mid-sized industrial buildings with wood-chip conveyors and a single modest smokestack; hard coal 3.7 GW sits to the right as a coal-fired plant with two rectangular cooling towers and a coal yard dimly visible; wind onshore 3.1 GW is represented by a small group of three-blade turbines on a distant ridge, rotors completely still in the dead calm; hydro 1.4 GW appears as a concrete dam structure in the far background with faint spillway lighting; wind offshore 0.3 GW is a barely visible pair of turbines on a dark horizon line. The sky is completely black and starless, sealed by 100% cloud cover — no moon, no stars, no twilight glow, only deep navy-black overhead. All illumination comes from sodium streetlights casting orange pools on wet asphalt roads, glowing industrial windows, and red aviation warning lights atop smokestacks and turbine nacelles. The atmosphere is heavy and oppressive, hazy with industrial moisture reflecting the artificial light, conveying the high electricity price. Spring vegetation — fresh green leaves on deciduous trees — is barely discernible in the orange light fringe. The landscape is flat central German lowland. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich deep color palette of blacks, deep blues, burnt oranges, and warm ambers, visible impasto brushwork, atmospheric depth with layered haze, meticulous engineering detail on every power facility. No text, no labels.