Brown coal 8.5 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white-grey steam plumes into the dark sky; natural gas 7.4 GW fills the centre-left as a pair of modern CCGT plants with tall slender exhaust stacks and warm orange-lit turbine halls; hard coal 3.7 GW appears centre-right as a smaller coal-fired station with rectangular boiler houses, conveyors, and a single squat cooling tower; biomass 4.6 GW is represented to the right as a cluster of mid-sized industrial facilities with wood-chip silos and shorter stacks emitting thin pale exhaust; onshore wind 3.9 GW appears as a sparse line of three-blade turbines on a low ridge in the right background, their rotors barely turning in the still air, red aviation lights blinking; offshore wind 0.6 GW is a faint suggestion of two or three distant turbines on the far-right horizon; hydro 1.4 GW is a small concrete dam with illuminated spillway in the middle distance. The time is 21:00 in May — fully dark, deep navy-to-black sky with complete overcast, no stars, no twilight glow whatsoever. The atmosphere is heavy and oppressive, reflecting the high electricity price: low thick clouds lit from below by the sodium-orange and industrial-white glow of the power stations. Spring foliage on trees is lush green but visible only where caught by artificial light. Puddles on access roads reflect the amber glow. No solar panels visible anywhere. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette of indigo, umber, ochre, and warm orange, visible confident brushwork, dramatic chiaroscuro, atmospheric depth receding into hazy darkness, meticulous engineering detail on every turbine nacelle, lattice tower, cooling tower shell, and exhaust stack. No text, no labels.