Brown coal 8.0 GW dominates the left quarter as four massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast sky; solar 7.8 GW occupies the centre-left as expansive fields of aluminium-framed crystalline silicon panels reflecting only dull grey light, no sunshine visible; natural gas 4.6 GW appears centre as two compact CCGT plants with tall single exhaust stacks emitting thin heat haze; biomass 4.2 GW sits centre-right as a cluster of medium industrial buildings with short chimneys and wood-chip storage yards; hard coal 3.7 GW appears right-centre as a conventional power station with a single large smokestack and coal conveyor belts; wind onshore 3.3 GW spans the right background as a row of modern three-blade turbines on lattice towers turning slowly; hydro 1.4 GW is a concrete dam with spillway at the far right edge; wind offshore 0.7 GW appears as tiny distant turbines on the far-right horizon line suggesting the sea. TIME AND LIGHT: 18:00 Berlin in early May, the sun is behind a 100% overcast sky, dusk is just beginning — the sky is a heavy uniform grey with a faint warm amber-orange band barely visible on the western horizon, the upper sky deepening to slate blue-grey; no direct sunlight anywhere. The atmosphere feels oppressive and heavy, reflecting the high electricity price. LANDSCAPE: lush green spring vegetation at 19°C, fresh leaves on birch and linden trees, green grass meadows between the industrial installations, a gentle breeze bending wildflowers. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, atmospheric depth reminiscent of Caspar David Friedrich crossed with Adolph Menzel's industrial realism, dramatic chiaroscuro between the glowing industrial facilities and the brooding overcast sky, warm sodium lighting beginning to appear on structures as dusk arrives, meticulous engineering detail on every turbine nacelle, cooling tower, and panel frame. No text, no labels.