Wind onshore 12.2 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles, their rotors turning in moderate wind, arrayed across rolling green spring hills; brown coal 6.7 GW occupies the left quarter as a massive lignite power station complex with three hyperbolic concrete cooling towers emitting thick white steam plumes glowing faintly from below; natural gas 4.3 GW appears centre-left as two compact CCGT units with tall slender exhaust stacks and modest vapour trails; biomass 4.3 GW is rendered as a mid-sized industrial plant with a timber-yard and conveyor belts, a single broad chimney releasing thin pale smoke; hard coal 2.6 GW sits behind the gas plant as a smaller coal station with a squared cooling tower and coal bunker; wind offshore 1.5 GW is suggested at the far-right horizon as a faint cluster of offshore turbines silhouetted against the sea; hydro 1.6 GW appears as a small concrete dam with a reservoir nestled in a wooded valley in the middle distance. TIME: 01:00 at night — completely dark sky, deep navy-black, no twilight, no moon glow, stars barely visible through 15% thin cloud wisps. All structures lit only by sodium-orange industrial lighting, small red aviation warning lights on turbine nacelles, and warm yellow windows on plant control buildings. The atmosphere is heavy and oppressive — a slight haze diffuses the artificial lights, conveying the high electricity price. Spring vegetation: fresh green grass and leafy deciduous trees visible in the foreground where light spills from the coal station. Temperature mild at 15.8°C — no frost, soft damp air. STYLE: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich — rich deep colour palette of indigo, umber, and warm orange, visible impasto brushwork, atmospheric depth with layers of industrial haze receding into darkness. Each energy technology rendered with meticulous engineering accuracy: lattice transmission towers with catenary cables, turbine blade aerodynamic profiles, cooling tower parabolic geometry, riveted steel structures. The painting conveys the sublime tension of industrial infrastructure at night — monumental, quietly powerful, stretching across a wide panoramic composition. No text, no labels.