Wind onshore 12.1 GW dominates the right half of the scene as dozens of three-blade turbines on tall lattice towers stretching across rolling green hills, rotors visibly turning in moderate wind; brown coal 6.0 GW occupies the left foreground as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by orange sodium lamps; natural gas 4.8 GW appears centre-left as a compact CCGT power station with twin exhaust stacks releasing thin translucent heat shimmer; hard coal 2.6 GW sits behind the gas plant as a smaller conventional station with a single tall smokestack and a visible coal conveyor belt; biomass 4.5 GW is rendered centre-right as a series of medium-sized wood-chip-fired plants with ribbed metal silos and squat chimneys trailing faint grey exhaust; hydro 1.3 GW appears in the far right background as a small concrete dam with spillway cutting through a forested valley; wind offshore 0.7 GW is barely visible on the distant horizon as a handful of turbines rising from a dark sea line. The sky is completely dark — a deep navy-to-black overcast ceiling with 100% cloud cover, no stars, no moon, no twilight glow; the scene is lit entirely by industrial sodium-orange and cool-white facility lighting, reflections on wet surfaces from a humid spring night. Lush May vegetation — fresh green leaves on nearby deciduous trees, thick grass — softened in the darkness. The atmosphere is heavy and oppressive, haze trapped beneath low clouds suggesting high energy costs. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich impasto brushwork, dramatic chiaroscuro between the artificial lights and surrounding blackness, atmospheric depth achieved through layered mist and diminishing detail, meticulous engineering accuracy in every turbine nacelle, cooling tower rib pattern, and gas-plant exhaust detail. No text, no labels.