Wind onshore 12.1 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles arrayed across rolling green hills, blades in active rotation; brown coal 5.5 GW occupies the far left as a cluster of massive hyperbolic cooling towers emitting thick steam plumes, lit from below by amber industrial lights; natural gas 4.8 GW appears left of centre as compact CCGT plant blocks with slim exhaust stacks venting thin white plumes, illuminated by sodium-orange floodlights; biomass 4.6 GW is rendered as a mid-ground wood-fired CHP facility with a tall chimney and stacked timber fuel stores, warm interior glow visible through high windows; hard coal 2.3 GW sits beside the brown coal complex as a smaller power station with conveyor belts and a single large smokestack; hydro 1.3 GW appears as a concrete dam in a valley at far right with spillway water catching reflected light; offshore wind 0.6 GW is suggested as a few distant turbines on the horizon line over a dark North Sea sliver. The sky is completely dark — deep navy to black, no twilight glow, no sunset remnants, heavy 100% cloud cover obscuring all stars. The atmosphere feels heavy and oppressive, reflecting the high electricity price. The mild 18.7°C May evening shows lush green spring foliage on deciduous trees and meadows. A moderate breeze animates grass and tree canopies. Scattered villages in the mid-ground show warm window lights. High-voltage transmission pylons stride across the landscape connecting the installations. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of deep blues, warm ambers, and coal-smoke greys, visible impasto brushwork, atmospheric depth with aerial perspective fading distant turbines into haze, meticulous engineering accuracy on all technology elements, dramatic chiaroscuro from artificial lighting against the dark overcast night. No text, no labels.