Solar 31.0 GW dominates the scene as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across the entire right two-thirds of the composition, covering rolling green May hillsides and flat farmland; onshore wind 10.6 GW appears as dozens of tall three-blade turbines with white nacelles and lattice-steel towers arrayed along ridgelines behind the solar fields, blades visibly turning in moderate wind; brown coal 2.2 GW occupies the far left as two hyperbolic concrete cooling towers emitting thin steam plumes beside a lignite power station with conveyor belts; biomass 4.0 GW appears as a cluster of modest industrial buildings with wood-chip silos and a single exhaust stack with faint white vapour, placed left of centre; natural gas 1.6 GW is rendered as a compact CCGT plant with a slender exhaust stack and small vapour trail, tucked between biomass and the cooling towers; hydro 1.0 GW is a small dam with spillway visible in a valley at far left; hard coal 0.7 GW appears as a single smokestack with minimal output near the brown coal plant. The sky is full daytime at 15:00 but heavily overcast at 97% cloud cover — a thick, luminous, silver-white blanket of stratiform cloud diffusing bright ambient light across the entire landscape, with one or two narrow breaks where direct sunlight lances through in golden shafts onto the PV panels. The atmosphere is calm and serene, reflecting the negative electricity price — open, spacious, unhurried. Late-spring vegetation is lush: fresh green beech and oak trees in full leaf, wildflower meadows, rapeseed fields in yellow bloom, temperature a warm 22°C. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich saturated colour, visible confident brushwork, atmospheric aerial perspective with haze softening the distant cooling towers, meticulous engineering detail on every turbine nacelle, every PV module rail, every concrete cooling tower rib. The painting feels monumental, contemplative, a Romantic industrial landscape masterwork. No text, no labels.