Wind onshore 9.1 GW dominates the right half of the scene as dozens of tall three-blade wind turbines with white tubular towers and nacelles, their rotors slowly turning in moderate breeze, arrayed across a gently rolling dark plain; brown coal 4.7 GW occupies the far left as a cluster of massive hyperbolic cooling towers emitting thick pale steam plumes lit from below by amber industrial floodlights; natural gas 4.9 GW sits left-of-centre as compact CCGT power plants with tall single exhaust stacks releasing thin white plumes, their steel structures gleaming under sodium lights; biomass 4.4 GW appears centre-left as a group of medium-scale industrial buildings with squat chimneys and adjacent timber storage yards illuminated by warm spotlights; hard coal 1.2 GW is a smaller power station near the brown coal complex with a single square cooling tower and conveyor belt; hydro 1.3 GW appears as a concrete dam face in the mid-ground with controlled spillway water catching reflected light; offshore wind 0.7 GW is faintly visible on the far horizon as a few tiny lit turbines above a dark sea line. The sky is completely black, 100% overcast, no stars, no moon, no twilight—a deep oppressive navy-charcoal ceiling pressing down. The only light sources are sodium-orange and white industrial floodlights casting sharp pools across wet spring grass and budding trees with fresh pale-green foliage at 13°C. A faint haze of humidity hangs in the air, adding atmospheric weight suggesting the high electricity price. Transmission towers with cables stretch across the mid-ground, symbolizing the heavy import flows. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich dark palette of deep blues, ambers, and greys, visible impasto brushwork, dramatic chiaroscuro, atmospheric depth and industrial sublime grandeur. Meticulous engineering detail on every technology: lattice towers, turbine blade profiles, cooling tower parabolic curves, CCGT exhaust geometry. No text, no labels.