Solar 12.9 GW dominates the centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle rolling hills, catching diffuse light under a completely overcast sky; wind onshore 6.6 GW fills the mid-ground as dozens of three-blade turbines on lattice and tubular towers, rotors turning moderately; wind offshore 1.8 GW appears as a distant cluster of turbines on the far horizon above a sliver of grey sea; biomass 4.3 GW occupies the left-centre as a cluster of wood-chip fired industrial plants with squat chimneys and thin grey exhaust streams; brown coal 2.4 GW stands at the far left as two hyperbolic concrete cooling towers with thick white steam plumes rising into the heavy sky; natural gas 1.7 GW is rendered as a compact CCGT facility with a single tall exhaust stack and thin heat shimmer; hydro 1.3 GW appears as a small concrete dam with cascading water in a forested valley to the right; hard coal 0.7 GW is a modest older power station with a single rectangular chimney near the lignite towers. Time is 18:00 dusk in early May — the sky is a heavy, oppressive uniform overcast with a faint orange-red glow along the lowest western horizon, rapidly fading, the upper sky darkening to slate grey. The atmosphere feels thick, pressured, and warm — lush green May vegetation, full canopies on deciduous trees, wildflowers in meadow grass around the solar arrays, temperature suggesting a warm 25°C evening. The overcast and high electricity price are conveyed through an oppressive, brooding atmosphere with muted colours and low contrast. High-voltage transmission lines with lattice pylons cross the scene left to right, symbolising the massive import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich saturated earth tones, visible impasto brushwork, dramatic atmospheric depth, meticulous engineering detail on every turbine nacelle, every PV cell edge, every cooling tower's concrete ribbing. No text, no labels.