Solar 49.6 GW dominates the entire scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across rolling green hills occupying roughly three-quarters of the composition; wind onshore 4.3 GW appears as a cluster of three-blade turbines with white lattice towers on a distant ridge at upper left, blades turning gently; wind offshore 1.5 GW is a faint row of turbines on a hazy sea horizon at far left; biomass 4.1 GW is a modest wood-chip-fed power station with a squat stack and thin white exhaust plume in the mid-ground right; brown coal 1.9 GW appears as a single hyperbolic cooling tower with a wispy steam plume near the right edge; natural gas 1.6 GW is a compact CCGT plant with a slender exhaust stack beside it; hydro 1.0 GW is a small concrete dam with spillway visible in a valley at lower right; hard coal 0.4 GW is a barely visible small smokestack behind the biomass plant. Full midday daylight at noon in May, brilliant sun high in a nearly clear sky with only 15% thin cirrus clouds, strong shadows beneath every structure, warm 21°C late-spring atmosphere with lush green deciduous trees in full leaf and wildflowers in meadows between panel rows. The air feels calm and open, reflecting the deeply negative electricity price — luminous, almost oversaturated clarity. Gentle breeze ripples through grass at 14 km/h. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial modernity — rich saturated colour, visible impasto brushwork, atmospheric aerial perspective fading to soft blue-green distance, meticulous engineering detail on every turbine nacelle, panel frame, cooling tower, and exhaust stack. No text, no labels.