Solar 34.4 GW dominates the scene as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across the entire centre and right side of the canvas, reflecting brilliant morning sunlight, covering rolling green spring hillsides; wind onshore 8.0 GW appears as dozens of tall three-blade turbines with white nacelles and lattice towers arrayed along ridgelines in the right background, blades turning gently in moderate breeze; wind offshore 3.3 GW is visible as a distant cluster of offshore turbines on a hazy blue horizon line at far right; biomass 4.6 GW occupies the mid-left as a cluster of modest industrial buildings with wood-chip storage silos and thin white steam exhaust; brown coal 2.2 GW sits at the far left as two hyperbolic concrete cooling towers releasing thin wisps of steam, smaller in visual prominence; natural gas 1.6 GW appears as a compact CCGT plant with a single tall exhaust stack and minimal vapour trail tucked behind the cooling towers; hydro 1.2 GW is suggested by a small river weir with a low dam powerhouse in the left foreground; hard coal 0.4 GW is a single small stack barely visible behind the lignite plant. The time is 9:00 AM in early May — full bright daylight with a completely clear, deep blue sky, the sun climbing in the east casting long but warm golden shadows across the landscape. Spring vegetation is vivid green with blossoming apple and cherry trees dotting field margins, temperature around 12°C suggested by light morning mist in the valleys. The atmosphere is calm, open, and luminous, reflecting the near-zero electricity price. Painted in the style of a highly detailed 19th-century German Romantic landscape oil painting — rich saturated colour, visible impasto brushwork, atmospheric aerial perspective with depth receding to a pale blue horizon, meticulous engineering accuracy on every turbine nacelle, every PV panel frame, every cooling tower's parabolic curve. No text, no labels.