Wind onshore 18.8 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling farmland, rotors spinning visibly in moderate wind; wind offshore 3.3 GW appears on the far right horizon as a cluster of turbines silhouetted against the dark sea; brown coal 4.0 GW occupies the left foreground as a massive lignite power station with two hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial lamps; biomass 4.1 GW sits left-center as a mid-sized wood-chip-fired plant with a square stack and a large fuel-storage dome, warmly lit; natural gas 3.0 GW appears center-left as a compact CCGT facility with a single tall exhaust stack and a visible heat shimmer; hard coal 1.1 GW is a smaller conventional plant with a single square chimney just behind the gas plant; hydro 1.2 GW is suggested by a small concrete dam and spillway in a valley fold at center. The time is 03:00 in early May — the sky is completely black with scattered stars visible through perfectly clear skies (0% cloud cover), no twilight whatsoever, deep navy-to-black firmament. All illumination comes from sodium streetlights casting orange pools along access roads, red aviation warning lights blinking atop turbine nacelles and stacks, and the warm industrial glow of power station windows and floodlights. Spring vegetation is beginning — pale green buds on deciduous trees, fresh grass on hillsides, temperature around 7°C suggesting a cool damp atmosphere with a faint mist clinging to low ground. The atmosphere feels heavy and oppressive reflecting the high electricity price — a brooding density to the air, a sense of industrial tension. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich chiaroscuro, visible impasto brushwork, deep atmospheric perspective, dramatic contrast between warm artificial light and the vast cold darkness. Each technology is painted with meticulous engineering accuracy: turbine nacelles, three-blade rotors, aluminium walkways on cooling towers, riveted steel stacks. No text, no labels.