Wind onshore 18.3 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines on lattice and tubular towers stretching across rolling hills, rotors visibly turning in moderate wind; wind offshore 3.4 GW appears as a distant cluster of turbines on the far-right horizon over a dark sea. Brown coal 4.0 GW occupies the left background as a massive lignite power station with three hyperbolic cooling towers emitting thick steam plumes lit from below by sodium-orange industrial lights. Biomass 4.1 GW sits in the left-centre as a mid-sized plant with a tall stack and wood-chip storage domes, warmly lit. Natural gas 3.1 GW appears centre-left as a compact CCGT facility with a single tall exhaust stack and faintly glowing turbine hall. Hard coal 1.1 GW is a smaller conventional plant to the far left with a single rectangular cooling tower and conveyor infrastructure. Hydro 1.2 GW is suggested by a small dam structure nestled in a valley in the mid-ground. The sky is completely dark — a black-to-deep-navy vault with scattered stars visible through perfectly clear skies, no moon glow, no twilight, absolutely no sky brightening at the horizon. Spring vegetation: fresh green grass and leafing deciduous trees illuminated only by artificial facility lighting — sodium streetlamps casting amber pools, lit windows in control buildings, red aviation warning lights blinking atop turbine nacelles and stacks. The atmosphere feels heavy and oppressive despite the clear sky, reflecting high electricity prices — a subtle haze clings low to the ground around the thermal plants. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between industrial light and surrounding darkness, atmospheric depth receding into the night, meticulous engineering accuracy on every nacelle, cooling tower, and exhaust stack. No text, no labels.