Wind onshore 15.2 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles stretching across rolling green hills into the deep distance; wind offshore 3.8 GW appears as a cluster of larger turbines on the far-right horizon over a faintly glinting sea; brown coal 3.9 GW occupies the left foreground as two massive hyperbolic cooling towers with heavy white steam plumes lit from below by orange sodium lamps; natural gas 3.9 GW sits just right of the cooling towers as a compact CCGT plant with twin exhaust stacks emitting thin heat shimmer, its rectangular turbine halls illuminated by industrial floodlights; hard coal 1.2 GW is a smaller single stack and conveyor structure to the far left, modestly lit; biomass 4.6 GW appears as a mid-ground cluster of low industrial buildings with short chimneys and wood-chip storage silos, warm yellow light spilling from open doors; hydro 1.2 GW is suggested by a small dam structure with white water visible in the middle distance. TIME: 22:00 in May — the sky is fully dark, deep navy to black, with a clear starfield and no twilight glow whatsoever; the Milky Way is faintly visible. Zero cloud cover allows crisp stars. Temperature is a mild 15°C spring night; fresh green deciduous foliage on trees, lush grass. Wind at 14.8 km/h animates the turbine blades in moderate rotation and rustles leaves. The atmosphere feels heavy and economically tense — a faint industrial haze hangs low, sodium-orange light pollution creates a warm glow around the thermal plants contrasting with the cool dark countryside. No solar panels anywhere. Highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich impasto brushwork, deep atmospheric perspective, Romantic drama in the contrast between glowing industrial infrastructure and the serene dark pastoral landscape, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and gas-plant pipework. No text, no labels.