Solar 15.2 GW dominates the right half of the canvas as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle green hills, their surfaces catching warm low-angle golden light; wind onshore 6.7 GW fills the centre-right as dozens of three-blade turbines on tall lattice and tubular towers, blades turning slowly in moderate breeze; wind offshore 2.7 GW appears in the distant left background as a row of turbines standing in a hazy sea glimpsed between hills; biomass 4.2 GW occupies the centre-left as several mid-sized biomass plants with timber-clad facades, wood-chip storage yards, and modest steam stacks; brown coal 2.0 GW sits at the far left as two hyperbolic cooling towers with thin grey-white steam plumes rising into the sky; natural gas 1.4 GW appears as a compact CCGT facility with a single tall exhaust stack and clean metal housing adjacent to the cooling towers; hydro 1.2 GW is rendered as a small dam and spillway set into a forested valley in the mid-left; hard coal 0.4 GW is a single small stack barely visible behind the gas plant. The sky is a dusk scene at 18:00 in May — the sun is low on the western horizon casting a deep orange-red glow across the lower sky, transitioning upward through amber and rose to a deepening blue at the zenith. The atmosphere feels heavy and slightly oppressive, with a warm amber haze suggesting the high electricity price. Lush late-spring vegetation — bright green deciduous trees in full leaf, wildflower meadows, fresh crops — reflects the 21.8°C warmth. Clear sky with zero cloud cover. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich saturated colour, visible layered brushwork, dramatic atmospheric depth, and luminous chiaroscuro from the setting sun. Each technology rendered with meticulous engineering accuracy: turbine nacelles with three-blade rotors, PV panel grid patterns, cooling tower parabolic geometry with condensation plumes, CCGT exhaust architecture. The composition has panoramic width, the landscape receding into layered atmospheric perspective. No text, no labels.