Wind onshore 15.1 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling dark hills, their red aviation lights blinking; wind offshore 3.3 GW appears as a distant cluster of turbines on the far-right horizon over a dark sea inlet. Brown coal 5.5 GW occupies the left foreground as three massive hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial lights. Natural gas 5.4 GW sits center-left as a compact CCGT facility with slender exhaust stacks venting thin white plumes, illuminated by floodlights. Hard coal 2.1 GW appears as a smaller coal plant with a single rectangular stack and conveyor gantry, glowing dimly behind the gas plant. Biomass 4.5 GW is rendered center-right as a cluster of medium-sized industrial buildings with short chimneys emitting faint haze, warmly lit windows visible. Hydro 1.3 GW appears as a small concrete dam structure in the middle distance with water catching reflected industrial light. The sky is completely dark — deep black to navy, no twilight, no moon glow — a late-night scene at 23:00 in spring. Stars are faintly visible through perfectly clear sky with zero cloud cover. The atmosphere feels heavy and oppressive despite the clear sky, reflecting the high electricity price — a slight industrial haze hangs at ground level, tinged amber by sodium streetlamps lining a road in the foreground. Vegetation is early-spring green, barely visible in artificial light, with fresh leaves on scattered trees at roughly 10°C. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette dominated by deep blues, blacks, and warm amber industrial glow, with visible impasto brushwork, dramatic chiaroscuro, and atmospheric depth receding into darkness. Every technology rendered with meticulous engineering accuracy: turbine nacelles, blade pitch mechanisms, cooling tower parabolic geometry, CCGT heat recovery housings. No text, no labels.