Onshore wind 16.5 GW dominates the right half of the canvas as dozens of tall three-blade turbines with detailed nacelles and lattice towers, rotors visibly turning in moderate wind, stretching across rolling farmland into the distance; brown coal 6.5 GW occupies the left foreground as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes rising into the dark sky, with conveyor belt infrastructure and a glowing lignite stockyard visible at their base; natural gas 4.3 GW appears centre-left as two compact CCGT plant blocks with slender exhaust stacks venting thin heat shimmer, their turbine halls lit by sodium-orange industrial lights; biomass 4.2 GW is rendered centre-right as a mid-sized wood-chip power station with a distinctive square stack and warm amber glow from intake bays, woodchip piles faintly illuminated; hard coal 3.4 GW sits behind the brown coal complex as a pair of tall chimneys with red aviation warning lights and a visible coal bunker structure; hydro 1.2 GW is a small concrete dam visible in a valley in the far middle distance, with subdued floodlighting on the spillway; offshore wind 0.7 GW appears as a faint row of tiny turbine silhouettes on the far horizon line. The sky is completely dark, deep navy-black, clear with zero cloud cover, scattered stars and a faint Milky Way band overhead. No twilight, no dawn glow — pure nighttime at 04:00. The 5.8 °C early spring temperature is conveyed through bare budding trees, patches of frost on the fields, and cool-toned grass. The atmosphere feels heavy and oppressive, reflecting the high electricity price — a subtle haze hangs low, thickening the air around the thermal plants. Artificial light sources — amber sodium streetlights along a country road, the industrial glow of plant facilities, blinking red lights on turbine tips — are the only illumination. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich deep colour palette of indigo, ochre, and slate, visible textured brushwork, dramatic atmospheric depth, meticulous engineering accuracy on all energy infrastructure. No text, no labels.