Wind onshore 18.6 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling hills into deep distance, rotors visibly turning; brown coal 6.4 GW occupies the left background as a cluster of massive hyperbolic cooling towers emitting thick pale steam plumes lit from below by orange sodium lights; natural gas 4.3 GW appears left-centre as compact CCGT plants with tall single exhaust stacks venting thin white plumes, illuminated by industrial floodlights; hard coal 3.8 GW sits beside them as a darker power station with conveyor structures and a single wide stack trailing grey smoke; biomass 4.2 GW is rendered centre-left as a mid-sized facility with cylindrical digesters and a modest stack, warmly lit; hydro 1.3 GW appears as a small illuminated dam structure in the far centre background; wind offshore 1.2 GW is suggested by tiny lit turbines on a distant dark horizon line. TIME: 02:00 at night — completely dark sky, deep navy-black, no twilight, no moon glow, stars faintly visible through perfectly clear skies with zero cloud cover. The only light comes from sodium-orange streetlamps along a rural road in the foreground, industrial facility lighting casting pools of warm amber on the ground, and red aviation warning lights blinking on turbine nacelles receding into the distance. Spring vegetation: bare-branched trees beginning to bud, cool-toned dormant grass. ATMOSPHERE: oppressive and heavy despite clear skies — a faint industrial haze hangs low, conveying the high electricity price; the air feels dense and charged. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich deep colour palette of navy, amber, charcoal and muted green, visible expressive brushwork, dramatic atmospheric depth and chiaroscuro contrast between the dark landscape and the scattered industrial lights. Every energy technology rendered with meticulous engineering accuracy — turbine nacelles with three-blade rotors, hyperbolic concrete cooling towers with realistic steam physics, aluminium-clad CCGT units. The scene feels like a masterwork painting of the German industrial night landscape. No text, no labels.