Wind onshore 21.6 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling dark farmland, their red aviation warning lights blinking against the black sky; brown coal 6.8 GW occupies the far left as a cluster of massive hyperbolic cooling towers emitting thick pale steam plumes lit from below by orange sodium lamps; natural gas 5.2 GW appears left-of-centre as a pair of compact CCGT plants with tall single exhaust stacks venting thin white plumes, illuminated by harsh industrial floodlights; biomass 4.5 GW sits as a mid-sized plant with a rounded silo and conveyor belt in the centre-left, warmly lit; hard coal 3.7 GW is rendered as a smaller coal-fired station with a single square cooling tower and conveyor infrastructure near the brown coal complex; hydro 1.3 GW appears as a modest dam structure at the far right edge with water glinting faintly; wind offshore 2.9 GW is suggested by distant turbines visible on a dark horizon line to the far right. The sky is completely black with scattered bright stars and a clear Milky Way band—zero cloud cover, no moon glow, no twilight, pure deep night. The atmosphere feels heavy and oppressive despite the clear sky, with a faint amber industrial haze hanging low over the thermal plants, evoking the high electricity price. Spring vegetation is barely visible—young green grass and budding trees hinted at by the faint reach of artificial light. Moderate wind animates the scene: turbine blades in brisk rotation, steam plumes shearing sideways from the cooling towers. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art—rich impasto brushwork, dramatic chiaroscuro between the glowing industrial facilities and the vast dark countryside, atmospheric depth with distant turbines fading into haze, meticulous engineering detail on every nacelle, rotor blade, cooling tower, and exhaust stack. No text, no labels.