Wind onshore 20.3 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling hills into the deep distance, rotors visibly spinning in brisk wind; brown coal 6.7 GW occupies the far left as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the dark sky, lit from below by orange sodium lamps of the plant complex; natural gas 4.9 GW appears left of centre as a compact CCGT facility with tall slender exhaust stacks emitting thin vapour, illuminated by harsh industrial floodlights; biomass 4.6 GW is rendered as a mid-sized wood-chip power station with a gently smoking chimney and stacked timber piles, warmly lit from within; hard coal 3.3 GW sits beside the brown coal plant as a smaller conventional station with a single large smokestack and coal conveyor belts lit by yellow spotlights; wind offshore 3.8 GW is suggested by a distant line of turbines on the far horizon where the land meets a faint coastal strip; hydro 1.3 GW appears as a modest dam structure in a valley fold with white water cascading, lit by a single floodlight; solar 0.4 GW is essentially absent — no panels visible. The sky is completely dark, a deep navy-to-black April night with no twilight glow, scattered stars barely visible through a perfectly clear atmosphere (0% cloud cover). Spring vegetation — fresh green grass and budding deciduous trees — is visible only where artificial light falls. The atmosphere feels heavy and oppressive, reflecting the high electricity price: a brooding tension in the thick industrial steam mixing with the dark sky. The wind turbines' red aviation warning lights blink in rhythmic patterns across the hills. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — with rich impasto colour, visible expressive brushwork, dramatic chiaroscuro between the black sky and the sodium-orange industrial glow, atmospheric depth achieved through layered recession of turbines into haze, and meticulous engineering accuracy in every nacelle, cooling tower, and smokestack. No text, no labels.