Wind onshore 14.4 GW dominates the right half of the canvas as dozens of three-blade turbines on lattice towers stretching across rolling green hills, rotors turning moderately in 13 km/h wind; brown coal 8.1 GW occupies the far left as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes rising into the overcast; solar 7.6 GW appears as a mid-ground field of aluminium-framed crystalline silicon PV panels angled on a hillside, reflecting only dull grey light; natural gas 6.4 GW is rendered centre-left as two compact CCGT blocks with tall single exhaust stacks venting thin heat shimmer; hard coal 3.9 GW sits behind the gas plant as a dark gabled boiler house with a single shorter cooling tower; biomass 4.5 GW appears centre-right as a wood-clad CHP facility with a modest chimney and stacked timber; hydro 1.3 GW is a small dam and penstock visible in a valley on the far right. Time is early dawn at 07:00 in late April: the sky is deep blue-grey with the faintest pale pre-dawn luminosity along the eastern horizon, no direct sunlight, no warm tones—only cold diffuse light. Complete 100% cloud cover forms a heavy, low, oppressive stratus ceiling pressing down on the landscape, reinforcing the high electricity price atmosphere. Bare-branched deciduous trees are just beginning to bud with spring green; grass is fresh but muted under the grey light; temperature near 7°C gives a chilly dampness with faint mist hugging the valley floor. Transmission pylons with high-voltage lines run diagonally through the middle ground connecting the stations. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen—rich impasto brushwork, atmospheric Romantic depth, dramatic tonal contrasts between the cold sky and warm industrial steam, meticulous engineering detail on every turbine nacelle, every cooling tower's parabolic curve, every PV cell grid pattern. No text, no labels.