Wind onshore 14.6 GW dominates the right half of the scene as dozens of towering three-blade turbines with white nacelles and lattice towers stretching across rolling dark hills, blades visibly turning in moderate wind; brown coal 7.7 GW occupies the left quarter as a massive lignite power station with four hyperbolic cooling towers emitting thick luminous steam plumes lit from below by sodium-orange industrial lighting; natural gas 5.8 GW appears centre-left as two compact CCGT plants with tall single exhaust stacks venting thin white plumes, their turbine halls glowing with interior light; hard coal 3.9 GW sits beside them as a smaller conventional power station with a single squat cooling tower and coal conveyors; biomass 4.2 GW is rendered as a cluster of mid-sized industrial buildings with cylindrical digesters and low chimneys with faint heat shimmer; wind offshore 1.6 GW appears as a faint line of turbines on the distant horizon near a sliver of dark sea; hydro 1.3 GW is a small dam structure with spillway visible in the middle distance. Time is 03:00 — the sky is completely black, deep navy-to-black, no twilight, no moon glow, stars barely visible through 69% cloud cover that forms heavy grey masses across the firmament. The atmosphere is oppressive and dense, reflecting the high electricity price — low mist clings to the ground between the turbines, and the air feels thick. Temperature is a cool 7°C spring night: bare-branched trees are just beginning to show small leaf buds, dormant grass is dark and dew-covered. All illumination comes from artificial sources: sodium streetlights cast amber pools along access roads, the coal plant glows orange and white from floodlights and furnace windows, the gas plant emits a bluish-white glow from its turbine hall, and the wind turbines carry steady red aviation warning lights dotting the dark hillside. Power transmission lines with steel lattice pylons cross the scene, their cables catching faint reflections from the industrial lights. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich deep colour palette of blacks, navy blues, amber oranges, and steel greys, visible confident brushwork with impasto highlights on steam plumes and lights, atmospheric depth with industrial haze, meticulous engineering accuracy on every turbine nacelle, cooling tower profile, and smokestack detail. The painting conveys the sublime tension between nature's dark stillness and the relentless industrial effort to power a sleeping nation. No text, no labels.