Solar 43.2 GW dominates the scene as a vast, sweeping expanse of crystalline silicon photovoltaic panels stretching across rolling green spring fields covering roughly four-fifths of the composition, their aluminium frames glinting under strong afternoon sun at 15:00; biomass 4.1 GW appears as a cluster of wood-chip-fed power stations with modest stacks and timber yards in the mid-ground left; brown coal 2.0 GW is rendered as two hyperbolic concrete cooling towers with thin, lazy steam plumes on the far left horizon; natural gas 1.5 GW is a compact modern CCGT plant with a single polished exhaust stack releasing a faint heat shimmer in the centre-left background; wind onshore 1.2 GW shows a small group of three-blade turbines on a distant ridge, blades barely turning in the still air; hydro 1.0 GW appears as a modest dam and powerhouse nestled in a valley fold at the far right. The sky is a mix of bright spring blue and scattered cumulus clouds covering perhaps half the dome, with brilliant direct sunlight casting sharp shadows across the panels. The landscape is lush mid-spring green — fresh beech and birch leaves, wildflowers along field margins, temperature mild at 15°C. The atmosphere is luminous and tranquil, evoking a sense of overabundance and calm — reflecting the deeply negative electricity price. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — think Caspar David Friedrich meets industrial realism — with rich impasto brushwork, atmospheric aerial perspective, warm golden-green palette, and meticulous engineering detail on every turbine nacelle, PV module, and cooling tower. No text, no labels.