Wind onshore 10.7 GW dominates the right two-fifths of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling central German farmland, rotors turning steadily in moderate wind; wind offshore 2.6 GW appears in the far right background as a cluster of turbines barely visible on a distant dark sea horizon. Brown coal 3.5 GW occupies the left foreground as two massive hyperbolic cooling towers with thick white steam plumes rising into the heavy sky, adjacent conveyor belts and lignite stockpiles visible. Biomass 4.2 GW fills the center-left as a large industrial plant with cylindrical wood-chip silos, corrugated metal buildings, and a single tall chimney emitting thin pale exhaust. Natural gas 3.1 GW appears center-right as a compact CCGT facility with sleek exhaust stacks and a single smaller cooling tower. Hard coal 1.2 GW sits behind the brown coal plant as a smaller facility with a rectangular boiler house and coal conveyor. Hydro 1.2 GW is suggested by a small dam and reservoir glimpsed in a valley in the mid-ground. The sky is pre-dawn at 05:00 in late April: deep blue-grey with the faintest hint of pale cold light on the eastern horizon, no direct sunlight, no warm colours overhead. Two-thirds cloud cover creates a heavy, oppressive low ceiling reflecting the 98.6 EUR/MWh price tension. Temperature is 5.1°C: early spring vegetation is sparse and muted green, frost still visible on grass, bare branches on some trees. Sodium streetlights cast amber pools along a small road in the foreground. No solar panels anywhere — the scene is entirely without sunshine. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich deep blues, greys, and amber artificial light, visible textured brushwork, atmospheric depth and mist in valleys, meticulous engineering accuracy on all turbine nacelles, cooling tower geometry, and plant structures. No text, no labels.