Solar 24.8 GW dominates the foreground as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling green spring meadows, angled to catch the low western sun; wind onshore 21.2 GW fills the middle distance and right two-thirds of the canvas as dozens of three-blade turbines on tall lattice and tubular towers, rotors spinning steadily in moderate wind; wind offshore 3.0 GW appears as a cluster of turbines on the distant horizon line; biomass 4.2 GW is rendered as a mid-sized wood-chip power plant with a modest smokestack and timber yard on the left-centre; brown coal 1.9 GW appears as a pair of hyperbolic cooling towers with thin wispy steam plumes set in the far left background; natural gas 1.6 GW is a compact CCGT unit with a single exhaust stack beside the cooling towers, barely venting; hard coal 0.6 GW is a single smaller stack beside the gas plant, nearly dormant; hydro 0.9 GW is suggested by a small weir and powerhouse along a river in the lower left. The sky is a dusk sky at 17:00 in late April — still bright but the sun sits low in the west, casting long golden-orange light across the landscape, with deep blue creeping in at the zenith. Clear sky, zero clouds, calm and expansive atmosphere reflecting the negative electricity price. Spring vegetation: fresh bright-green grass, budding deciduous trees, wildflowers dotting the meadows. Temperature is mild at 17°C. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial modernity — rich saturated colour, visible impasto brushwork, atmospheric aerial perspective with golden light dissolving into blue distance. Meticulous engineering detail on all turbine nacelles, PV panel frames, cooling tower geometries, and plant structures. No text, no labels.