Solar 28.8 GW dominates the foreground and middle distance as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland, covering roughly half the composition; wind onshore 15.4 GW fills the right third and background as dozens of tall three-blade turbines on lattice and tubular towers turning slowly in light wind across green spring meadows; wind offshore 2.5 GW appears as a distant cluster of turbines along a hazy horizon line; biomass 4.6 GW is rendered as a mid-ground timber-clad biomass plant with a modest stack emitting thin white vapour beside a woodchip storage yard; brown coal 2.5 GW occupies the far left as a pair of hyperbolic cooling towers releasing gentle steam plumes; natural gas 2.2 GW sits beside them as a compact CCGT plant with a single tall exhaust stack and minimal exhaust; hard coal 1.1 GW is a smaller conventional power station with a single square cooling tower, barely steaming; hydro 1.2 GW appears as a small run-of-river weir with a low concrete dam in a shallow valley. The sky is entirely overcast with a uniform blanket of grey-white stratus clouds, full April daylight diffused evenly with no shadows, no direct sunlight visible. Temperature 6°C: early spring vegetation, fresh green grass mixed with bare-branched deciduous trees just beginning to leaf out, patches of remaining brown winter stubble. The atmosphere is calm and quiet—no drama, open grey sky suggesting near-zero electricity prices. Painted in the style of a highly detailed 19th-century German Romantic oil painting—rich muted colour palette of sage greens, slate greys, and cool silvers, visible impasto brushwork, atmospheric depth with misty distance, meticulous engineering detail on every turbine nacelle, every PV cell grid pattern, every cooling tower's hyperbolic curve. No text, no labels.