Wind onshore 14.1 GW dominates the right half of the composition as dozens of tall three-blade turbines with white tubular towers and detailed nacelles, stretching across rolling green spring hills; wind offshore 4.3 GW appears as a cluster of turbines on a distant grey-blue sea horizon at far right. Brown coal 5.6 GW occupies the left foreground as two massive hyperbolic cooling towers emitting thick white-grey steam plumes, beside a sprawling lignite plant with conveyor belts and ash-grey structures. Natural gas 4.6 GW sits centre-left as a compact CCGT facility with tall slender exhaust stacks and gleaming metallic housings venting thin transparent heat shimmer. Biomass 4.5 GW appears centre-right as a cluster of industrial buildings with wood-chip silos and modest chimneys releasing pale smoke. Solar 3.8 GW is rendered as rows of aluminium-framed crystalline silicon panels on a gentle slope in the centre-middle ground, catching the last orange-red light at a low angle. Hard coal 2.0 GW is a smaller conventional power station behind the brown coal complex, with a single rectangular stack. Hydro 1.3 GW appears as a small concrete dam and powerhouse nestled in a valley in the far background. The sky is a late-dusk scene at 19:00 in April: the lower horizon glows deep orange-red, transitioning upward through salmon and violet into a darkening steel-blue overhead, with only 11% cloud cover as thin wisps catching the last colour. The atmosphere feels heavy and oppressive despite the clear sky, conveying the high electricity price — a subtle haze hangs in the middle distance, thickening the air around the thermal plants. Spring vegetation is fresh bright green, wildflowers dotting meadows, deciduous trees in new leaf, temperature around 15°C suggesting comfortable mild air. Moderate wind at 13.5 km/h animates the turbine blades in gentle rotation and bends grasses slightly. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, luminous atmospheric depth reminiscent of Caspar David Friedrich meeting industrial realism, meticulous engineering accuracy on every turbine nacelle, every cooling tower curve, every panel frame. No text, no labels.