Wind leads at 22.8 GW with coal and gas providing 13.3 GW of thermal support; 2.7 GW net imports fill the overnight gap.
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Generation mix
Wind onshore 43%
Wind offshore 12%
Biomass 10%
Hydro 3%
Natural gas 13%
Hard coal 7%
Brown coal 12%
68%
Renewable share
22.8 GW
Wind (on + offshore)
0.0 GW
Solar
41.5 GW
Total generation
-2.7 GW
Net import
100.7 €/MWh
Day-ahead price
6.9°C / 6 km/h
Temp / Wind speed
Open-Meteo, Kassel (51.3°N 9.5°E)
0.0% / 0.0 W/m²
Cloud cover / Radiation
216
gCO₂/kWh
Image prompt
Wind onshore 17.7 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with detailed nacelles and lattice towers arrayed across dark rolling hills; wind offshore 5.1 GW appears as a distant cluster of turbines on the far-right horizon over a sliver of black sea. Brown coal 5.1 GW occupies the left foreground as a pair of massive hyperbolic cooling towers with thick white steam plumes lit from below by sodium-orange industrial lamps. Natural gas 5.3 GW sits centre-left as compact CCGT units with tall single exhaust stacks venting thin heat shimmer, floodlit in pale yellow. Hard coal 2.9 GW appears as a smaller coal plant with a single shorter stack and conveyor belt silhouette just left of centre. Biomass 4.2 GW is rendered as a cluster of low industrial biogas facilities with green-tinted corrugated roofs and small chimneys emitting faint vapour, positioned in the mid-ground between the gas plant and the turbines. Hydro 1.2 GW is a small concrete dam with spillway visible in the lower-left valley, softly illuminated. No solar panels anywhere — it is deep night. The sky is completely black with no twilight or sky glow, only scattered cold stars visible through perfectly clear air (0% cloud cover). The atmosphere feels heavy and oppressive, reflecting the high electricity price — a brooding, weighty darkness pressing down. April vegetation is sparse early-spring green on hillsides barely visible in the darkness, temperature near 7 °C suggested by a thin ground mist. Artificial light sources — sodium streetlights along a distant road, amber and white floodlights on industrial facilities — provide the only illumination, casting long dramatic shadows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich dark colour palette, visible impasto brushwork, atmospheric depth and chiaroscuro, but with meticulous modern engineering detail on every turbine blade, cooling tower curve, and exhaust stack. No text, no labels.