Wind onshore 19.0 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white tubular towers and detailed nacelles stretching across rolling dark hills, rotors spinning in moderate wind. Wind offshore 5.3 GW appears as a distant cluster of turbines on the far-right horizon, their red aviation lights blinking against a black sky. Natural gas 6.6 GW occupies the centre-left as a compact CCGT power station with twin exhaust stacks emitting thin pale plumes, warmly lit by sodium floodlights. Brown coal 4.8 GW fills the left foreground with two massive hyperbolic cooling towers releasing thick white steam clouds, illuminated from below by amber industrial lighting. Hard coal 2.8 GW appears just to the right of the lignite plant as a smaller coal-fired station with a single tall chimney and conveyor infrastructure. Biomass 4.5 GW is rendered as a mid-ground industrial facility with a cylindrical silo and woodchip storage area, lit by bright white facility lights. Hydro 1.3 GW appears as a small dam structure in a valley notch at far left with water glinting under floodlights. The sky is completely dark — deep black to navy, no twilight, no sky glow — it is 23:00 in late April. Partial cloud cover (38%) shows patches of stars between dark clouds. Spring vegetation: fresh green grass and budding trees visible only where artificial light spills. The atmosphere feels heavy and oppressive, reflecting the high electricity price — low clouds press down, the air seems dense and humid. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — with rich, dark colour palette, visible confident brushwork, dramatic chiaroscuro from artificial lighting against total night darkness, atmospheric depth receding into the dark horizon. Meticulous engineering detail on all turbine nacelles, cooling tower parabolic curves, CCGT stacks, and coal conveyors. No text, no labels.