Wind onshore 17.4 GW dominates the right half and background as dozens of tall three-blade turbines on lattice towers stretching across rolling green April fields, rotors spinning briskly in strong wind; wind offshore 5.6 GW appears as a distant cluster of turbines on the far-right horizon above a faintly visible sea line. Brown coal 4.3 GW occupies the left foreground as two massive hyperbolic cooling towers with thick white steam plumes rising against the darkening sky. Natural gas 4.4 GW sits left-of-centre as a compact CCGT plant with tall single exhaust stacks emitting thin heat shimmer. Hard coal 2.2 GW appears as a smaller coal plant with a single square cooling tower and conveyor infrastructure just behind the gas plant. Biomass 4.5 GW is rendered as a cluster of medium-sized industrial biogas facilities with cylindrical digesters and low stacks, positioned in the centre-left midground. Solar 3.8 GW appears as rows of aluminium-framed crystalline silicon panels in a ground-mounted array in the centre-right foreground, catching the last amber rays of the setting sun. Hydro 1.3 GW is a small dam and powerhouse barely visible in a river valley in the far left background. The sky is a late-dusk scene at 19:00 in April: a vivid orange-red glow lingers on the lower western horizon, transitioning upward through deep salmon and violet into a darkening indigo-blue sky overhead; the atmosphere is completely clear with zero clouds, stars just beginning to emerge at the zenith. The air feels heavy and oppressive despite the clear sky, conveying the tension of high electricity prices — a slight amber-brown haze hangs at the horizon around the thermal plants. Fresh spring vegetation covers the rolling hills — bright green grass, budding deciduous trees — consistent with 16°C in late April. Wind visibly bends the grass and young tree branches. Transmission line pylons march across the middle distance, cables suggesting heavy power flow. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich saturated colour, visible impasto brushwork, dramatic atmospheric depth, meticulous engineering detail on every turbine nacelle, cooling tower, and PV panel frame. No text, no labels.