Wind onshore 17.0 GW dominates the right two-thirds of the scene as dozens of towering three-blade turbines with white lattice towers and detailed nacelles, rotors spinning briskly in strong wind across rolling green spring farmland. Wind offshore 5.3 GW appears as a distant row of turbines on a hazy horizon line above a strip of grey-blue sea at the far right. Solar 13.5 GW fills the centre-left foreground as vast arrays of aluminium-framed crystalline silicon panels angled toward the low western sun, their surfaces catching warm orange-golden light. Biomass 4.3 GW is rendered as a cluster of mid-sized industrial plants with cylindrical digesters and modest stacks emitting thin white steam, placed in the middle ground left of centre. Brown coal 3.0 GW occupies the far left as two large hyperbolic cooling towers releasing thick billowing steam plumes into the sky, with conveyor belts of dark lignite visible at their base. Natural gas 2.6 GW sits just right of the cooling towers as a compact CCGT facility with gleaming metallic exhaust stacks and a single smaller vapour trail. Hard coal 1.3 GW appears as a smaller traditional power station with a dark angular boiler house and a single square chimney, tucked between the gas plant and biomass cluster. Hydro 1.3 GW is suggested by a small river with a weir and low dam structure in the lower foreground. The sky is a dusk scene at 18:00 in late April: the sun sits very low on the western horizon casting deep amber and orange-red light across the lower third of the sky, with the upper sky transitioning from pale peach to deepening blue. Clear skies, zero cloud cover, exquisite atmospheric clarity with long horizontal shadows. The air feels warm at 16°C — fresh green grass, budding deciduous trees, wildflowers dotting the meadows. The atmosphere carries a subtle heaviness and tension reflecting the high 93.6 EUR/MWh electricity price — a faint industrial haze clings near the coal and gas plants, lending a brooding weight to the otherwise pastoral scene. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich impasto colour, visible textured brushwork, masterful atmospheric depth and golden-hour chiaroscuro — but with meticulous engineering accuracy on every turbine blade, panel frame, cooling tower curve, and exhaust stack. No text, no labels.