Solar 26.8 GW dominates the centre and right foreground as vast fields of aluminium-framed crystalline silicon PV panels angled toward a low western sun, their glass surfaces blazing with reflected orange-gold light; wind onshore 16.1 GW fills the mid-ground as dozens of three-blade turbines on lattice and tubular towers stretching across rolling green spring hills, rotors turning briskly in moderate wind; wind offshore 5.0 GW appears on the distant left horizon as a line of white offshore turbines rising from a faintly visible sea; biomass 4.2 GW is rendered as a mid-sized wood-chip power plant with a rectangular stack emitting thin pale exhaust, nestled among trees at centre-left; brown coal 2.8 GW occupies the far left as two hyperbolic concrete cooling towers releasing modest steam plumes; natural gas 2.0 GW appears as a compact CCGT facility with a single tall exhaust stack and small vapour trail beside the cooling towers; hard coal 1.2 GW is a smaller conventional boiler house with a single squat chimney and wisp of grey smoke adjacent to the gas plant; hydro 1.3 GW is depicted as a stone-faced dam with white water cascading into a river in the left foreground. Time of day is 17:00 in late April: the sun is descending in the west, casting long amber-orange light across the landscape, the sky above transitioning from warm gold near the horizon to a deepening blue overhead, completely clear with zero clouds. Spring vegetation is lush — bright green grass, blossoming cherry and apple trees with white and pink petals, fresh beech leaves. Temperature is mild at 17°C. The low electricity price is conveyed through a calm, expansive, open sky with no oppressive atmosphere. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated colour, visible impasto brushwork, atmospheric depth and aerial perspective — but with meticulous engineering accuracy on every turbine nacelle, PV cell grid pattern, cooling tower concrete ribbing, and CCGT exhaust geometry. The scene reads as a masterwork industrial landscape painting. No text, no labels.