Solar 52.2 GW dominates the scene as an immense field of aluminium-framed crystalline silicon photovoltaic panels stretching across the entire foreground and middle ground, covering roughly two-thirds of the canvas, their blue-black surfaces blazing with reflected midday light. Wind onshore 8.9 GW fills the right-centre background as dozens of three-blade turbines on tall lattice and tubular towers, rotors turning moderately in a 20 km/h breeze across green spring fields. Wind offshore 1.7 GW appears as a small cluster of larger turbines on the far-right horizon above a faint strip of sea. Biomass 4.0 GW is rendered as a group of mid-sized industrial plants with timber yards and low exhaust stacks releasing pale vapour, positioned left of centre behind the solar field. Brown coal 2.6 GW occupies the far left as two hyperbolic concrete cooling towers emitting thin wisps of steam, with conveyor belts of dark lignite visible at their base. Natural gas 2.0 GW sits beside the lignite plant as a compact combined-cycle gas turbine facility with a single tall exhaust stack and minimal exhaust haze. Hard coal 1.2 GW is a smaller coal plant with a single square cooling tower and a dark coal heap, tucked between gas and lignite. Hydro 1.2 GW appears as a small reservoir dam with cascading water in the distant left valley. Time of day: 14:00 Berlin, full bright midday sun, completely cloudless deep blue sky, strong direct sunlight casting crisp shadows. Temperature 16.9 °C: lush green spring vegetation, fresh leaves on deciduous trees, wildflowers in grass margins between panel rows. The negative electricity price is evoked by a vast, calm, open, weightless sky — tranquil, almost excessively serene. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated colour, visible expressive brushwork, luminous atmospheric depth — yet with meticulous engineering accuracy on every turbine nacelle, PV cell grid pattern, cooling tower concrete texture, and conveyor mechanism. The composition feels like a monumental panoramic masterwork of an industrial pastoral landscape. No text, no labels.